{"id":11573,"date":"2019-08-30T16:46:03","date_gmt":"2019-08-30T14:46:03","guid":{"rendered":"http:\/\/www.satrapov.net\/mysst\/?page_id=11573"},"modified":"2023-02-25T20:14:58","modified_gmt":"2023-02-25T20:14:58","slug":"music","status":"publish","type":"page","link":"https:\/\/www.grafskaya.club\/mysst\/detailed-reviews-n-z\/neverwinter-nights\/shadows-of-undrentide\/music\/","title":{"rendered":"Music"},"content":{"rendered":"

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\"\"<\/a>Despite Kemal Amarasingham taking over from Jeremy Soule in the musical department, there’s no real improvement: the music still fails at being memorable,  and there aren’t that many tracks. \u201cThe Silver Marches\u201d, which greets you outside Drogan\u2019s school, does sound snowy and cold, but has no melody to speak of. \u201cTracking the Kobold Raiders\u201d stands out simply by dint of being one of the two dynamic tracks of the lot, including some chanting voices that add to the urgency of the music, but it may just be a tad too urgent for the occasion. The other dynamic track, \u201cGypsy Caravan Ambushed\u201d, which accompanies the titular attack during the Interlude, is a mess of whirling strings and chaotic percussions. \u201cJourney through the Anauroch\u201d, which plays during the Interlude, has a Middle-Eastern vibe to it, with a rhythm that suggests the monotony of a caravan plodding through the desert. \u201cNight on the Desert\u201d, which plays after the aforementioned caravan attack, adds a dusky twist to the theme.<\/p>\n\n

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